Tudor Rhys Etchells (b.1994 Cardiff, Wales)
is a documentary artist who uses the fiction of the photograph to challenge legally created realities.


Working within such a bureaucracy in his previous role as a human rights lawyer inspires his closeness to the document and brutally mundane. To him, the photograph and the law are both frameworks for negotiating evidence, belief and knowledge.

The performative element of these systems is best acted on the stage photography provides. By breaking the fourth wall, legal and photographic portrayals of truth can be subverted.

Documentary is a medium that often fails, so satirising its relationship to border regimes, the norm of the imagined nation state is questioned. 


tudoretchells@gmail.com
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Pacta Sunt Servanda

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Pacta Sunt Servanda



As the law possesses an inherent connection to the land, disputes tend to be settled within jurisdictional borders. Adjudicative processes regarding investment into renewable energy infrastructure, however, are often decided by an independent panel in a third country, bypassing domestic courts. As renewable energy becomes a source of the laws disconnection to the land, Pacta Sunt Survanda investigates how the means by which corporations avoid constitutional jurisdiction, subvert our understanding of photographic representations of land use.

Historically, photographs of the land are used to lay visual, and then sovereign, claim to territory. The Bi-Lateral Investment Treaties that countries enter into, that stipulate Investor State Dispute Settlement as a remedy, covertly force states to chill regulation that otherwise would protect human or environmental rights. 

Latvia is leading the way in claiming energy sovereignty and independence through renewable power. As these large scale infrastructure projects become more prevalent, so do the number of contracts that go wrong.  Created during a residency at ISSP, Riga, Latvia, undermining the landscape aesthetic that uses the picturesque to extract value, the legal system that subverts the rights of those on the land is land undermined. 

As these arbitration tribunals are held in camera (latin: in private), A Mock Trial In camera: A Performance Lecture of 3 Acts, was presented to imitate the conflicts of interests of this private, privileged and parallel legal system. Guest performer Uldis Bergmanis.